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And while I’m on a food/beverage aside, La Cumbre Brewing Co. is a great local brewery that serves my favorite beer (Slice of Hefen; which actually is a slice of heaven) and just has a nice vibe about it. You’re guaranteed to make a friend here. It’s not too loud or stand-offish and they play excellent music.

Not all of us have access to the kind of gear that the Boards are rocking. As usual though, we can find some good digital approximations on the internet. One of my absolute favourites is James Peck’s VHS Audio Degradation Suite. It provides emulations (with optional speaker simulation) of old video tape audio playback, based on machines in various states of disrepair. If anything digital is going to get you even close to Boards of Canada’s bevy of broken-down gear, this is it. While it’s free, it only works through Native Instruments’ paid Reaktor 6 soft synth platform. If you don’t already have that, you can try it out for 30 days.

90s and 2000s rappers

This international residency program is open to artists across many mediums for one- to three-month long residencies. Artists are given lodging and studio space on a remote island off the northeast coast of Newfoundland, as well as a weekly stipend for materials and day-to-day living. Be prepared to put on your public speaking hat though, as artists are required to give at least one presentation, performance, or workshop during their stay. Residencies open every two years.

Patrick McGuire is a writer, musician and human man. He lives nowhere in particular, creates music under the name Straight White Teeth, and has a great affinity for dogs and putting his hands in his pockets.

Close relationships in music are vital, and it’s quite common that you’ll end up where you want to go because of the people you know. So dust off those handy networking skills and go take your closest cohorts out for coffee! Keeping a musical relationship solid is hard work, especially when disagreements emerge — a good way to approach things is to prioritize empathy, logic, and patience over temporary rage or disappointment, which can easily lead to permanent damage.

When it comes to music “now,” it all depends on who and what we’re talking about. The stuff that gets advertised on harshly illuminated screens down on L Train platforms? The bands involved in what that Pitchfork describes as “the most important stories in music?” Spotify Playlists for the gym? The Bang On a Can Allstars? Generally, I mistrust these things, because I don’t see them making any attempts to use music’s great power to snap people out of the general stupor of malaise that seems to be a symptom of living in our times.

In addition to tax returns and detailed income statements, lenders often ask for a profit and loss statement. This may throw you for a loop considering it’s something normally asked of a business not an individual, but in the bank’s eyes you are a business since you are a 1099 contractor!

Namm mental health

A prolific Nashville songwriter (who shall remain nameless) has a strategy where he wakes up and writes down five ideas, lines, or thoughts in his journal. In the sessions he goes to that day, he’ll pull from that list and use the words as the first line of the song, the last line of the song, the first line of the chorus — it could even just be a word. The point is, the words he writes down are often fresh to him, but they also came up for a reason — something he’s dealing with, or something a friend is going through — and he’s able to use that idea as a target for that day’s sessions.

Need help on a project, or buying a new piece of gear, or even deciphering your favorite band’s lyrics? Forums are where people go to help one another.

Sometimes the bass sounds great merely doubling what is being played on the guitar — and especially when that guitar is being played by Jimmy Page. John Paul Jones actually had tons of bass-hooky songs, but here in “Over the Hills and Far Away,” the bass is a bit subdued throughout most of it — which makes this particular section stand out even more. That section is when Page climbs out of his solo with a three-octave arpeggiated run, and Jones follows alongside with a standard pattern of root-third-fifth-minor seventh across each octave, a mixolydian theme that would sound good in basically any context.

Vocals are the heart of almost every pop song. In fact, save for instrumental music, vocals should be the focal point of a song in any genre. Whenever listeners find themselves humming along to a song, it’s usually the top-line vocal melody they’re latching onto, so mixing that aspect of your song’s arrangement for ultimate clarity is of particular importance.

“I feel more musically confident because of this course. I really thought it was helpful dissecting a song and learning how it achieved a certain vibe.”